Berit Bettina Schubert: [Enter Shakespeare]. Der Dramatiker als Figur im modernen Drama (Münchener Universitätsschriften, 27).

Only a few decades ago, studies of Shakespeare were always either about his work or about his life, or occasionally about the interplay between both. Since then, however, interest has shifted to the way various cultures have dealt with Shakespeare’s work, in stage productions, film versions, translations, adaptations, rewritings, and off-shoots, veering away from “essential Shakespeare” to what Terence Hawkes has famously called “meaning by Shakespeare.”

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