...272 Christoph Houswitschka The Holocaust in British Literature: From W. H. Auden’s “Refugee Blues” 1939 to David Edgar’s Albert Speer 2000 By...
... CHRISTOPH HOUSWITSCHKA Bamberg Introduction: From Ideology to Self-Reflection Writing about the Holocaust is one of the most difficult tasks for poets...
..., 1992 , p. 12; Truth and Lamentation: Stories and Poems on the Holocaust, ed. Milton Teichman 274 Christoph Houswitschka voicing the void that the...
..., 1999 ; and Mark Jonathan Harris, Into the Arms of Strangers: Stories of the Kindertransport London, 2000 . 278 Christoph Houswitschka the generation of...
... Edward Bond, The Activists Papers, in: Plays Four London, 1992 , p. 155. 280 Christoph Houswitschka identifying with a persecuted boy of his age who might...
.... 135-137. 282 Christoph Houswitschka language. 56 After a while Hilda is not able to understand her parents’ letters any longer – “witnessing my alienation”...
... work.” 67 Thomas note 63 , p. 10, pp. 102-103. 284 Christoph Houswitschka psychologist, not realizing the truth behind her dreams. Thomas does not pretend...
... powerful man like 286 Christoph Houswitschka Casalis, Speer’s prison pastor at Spandau, who is Sereny’s alter ego in the play, says: “Herr Speer, you have...
... sich selbst denken” Theodor W. Adorno, Gesammelte Schriften, vol. 6: Negative Dialektik, ed. Rolf Tiedemann [Darmstadt 1998], p. 358 . 276 Christoph...
... Houswitschka hand, the fixation of meaning in language supports ideological interests; for this reason, any mimetic representation should be avoided. On the...
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